The Cellar Door Sessions

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New Miles Davis release, from his love-it/hate-it electric funk years. Personally, in certain, err, introspective moods, I like the style a lot. If your mind can wrap around polyrhythmic layers of sound, you might like it too.

village voice > music > Miles Davis's The Cellar Door Sessions 1970 by Francis Davis
First the arithmetic: six complete sets on as many discs, recorded over four nights at a D.C. jazz club in December 1970, bits and pieces previously released in altered form on Live-Evil. Featuring Gary Bartz, Keith Jarrett, Michael Henderson, Jack DeJohnette, Airto Moreira, and John McLaughlin (last two discs only), The Cellar Door Sessions is like a companion volume to Live at the Fillmore East from the previous March—but this time it was a jazz audience that must have been wondering what the hell was going on.

The Cellar Door Sessions 1970 Miles Davis
“The Cellar Door Sessions 1970” (Miles Davis)

a little rich for my blood, but we'll see how February's budget goes. A parenthetical note:

Bitches Brew
Bitches Brew

had a direct influence upon me finally purchasing a CD player. I was browsing through the used album selection at the great Waterloo Records' Vinyl Annex, and overheard two employees talking. One said to the other, “Over the weekend, I bought a 6 CD changer, put in Bitches Brew, hit randomization and repeat, and dropped acid. Man, that music just crawled out of the wall. Sometimes, we'd forgot it was even on, and then: Bam!!”

I got my first CD player soon after, about 10 years after everyone else.

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2 Comments

I was a late bloomer to CDs as well (1992?)--I think my first disc was In the Court of the Crimson King. I bought In a Silent Way and Big Fun that first year for an electric Miles jones, but you're right--state of mind is key with that stuff, and of course psychedelics help.

Hard to remember to flip the vinyl over when you are on another planet.

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This page contains a single entry by Seth A. published on January 23, 2006 3:45 PM.

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