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Bruce Springsteen is Boring

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There are certain critically acclaimed and successful musicians that I just don’t care much about. U2 is one such band, and so is Bruce Springsteen. His politics I can usually agree with, his heart seems to be in the right place, his working man schtick is admirable, but his music does not resonate in my brain. His voice irritates me to be honest. I have musical completist tendencies, and thus keep trying to like Bruce Springsteen, as he is so often reviewed favorably by critics and friends whose musical tastes I usually agree with. Coupled with the fact that I have no problem purchasing used CDs, especially easily discovered albums by artists like Springsteen, I have a surprising large collection of Springsteen albums accumulated over the years. Here is a thumbnail review of the ones still in my iTunes library.

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Greetings from Asbury Park, N.J. – Debut album, from 1972. Blinded by the Light is ok. 

The Wild, the Innocent & the E Street Shuffle – second album. Rosalita (Come Out Tonight) is ok, but drags on too long. The entire album suffers from the same problem.

Born To Run – the album that made The Boss’ career. If I was stuck in a car on a road trip with a Springsteen fan who maintained total control of the stereo, this is the album I’d choose. There are four songs worth listening to: Thunder Road, Tenth Avenue Freeze Out, She’s the One, and Jungleland. Jungleland does have a soft jazz section that grates on my nerves, but the rest of the song is ok, albeit ponderously long. The title track is ok too, I guess, but everyone1 has heard it way too many times and thus the song has lost its lustre. Tramps like us! They really like us!

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Darkness on the Edge of Town – not horrible. Badlands, Adam Raised a Cain, Streets of Fire are ok. 

The River – meh. Cadillac Ranch is ok, maybe, occasionally. The track, Hungry Heart, is silly, and tedious, and I usually skip it, or else replace the chorus with the theme from Hungry Hungry Hippos.

Nebraska – meh. Conceptually, the idea of releasing demos instead of the studio version with a full band is interesting, but many of these songs don’t hold my interest for long. In a pinch, I’d say Atlantic City, Highway Patrolman, State Trooper are ok. Atlantic City is the best of the bunch, despite having its lyrics copped from a million early-70s heist films. Maybe the so-called Electric Nebraska (The Nebraska demos were recorded in a studio with the full E Street Band, but never released) would make the songs have more punch? Btw, Johnny Cash did a more powerful version of Highway Patrolman.

Born in the U.S.A. – Not a bad album, but over-hyped and over-played. Springsteen’s lyrics are the very definition of bombast. The kind of album that Ronald Reagan and his cult latched onto (despite not being able to read the lyrics, the chorus was simple enough for Republicans to chant at their rallies) Not to mention there was that music video with Courtney Cox being pulled out the audience. So lame. Glory Days, Born in the USA, I’m On Fire are decent songs, despite it all. 

Tunnel of Love – meh. I can’t pick a single song off of this album that I want to voluntarily listen to. The ‘80s drum machines don’t help.

Human Touch – meh. So boring. So generic. I hope the studio musicians got paid big bucks.

Lucky Touch – slightly better than Human Touch, but still boring. 

The Rising – yeah, yeah, about 9/11, and yadda yadda. Still long winded arena rock, and not fun to listen to. If pressed, maybe 3 decent songs: Into the Fire, Empty Sky, The Fuse, but my life would not be empty if I never heard them again. Candidate Barack Obama (and Hillary Clinton, and John Edwards) used The Rising as a campaign theme song, but still, snooooooooooze…

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Springsteen LPs

We Shall Overcome: The Seeger Sessions  – I actually like this album, none of the songs are written by Springsteen, nor by Pete Seeger for that matter, and Springsteen and company seem like they are having a good time singing and playing these folk standards. However, I don’t disagree with Robert Christgau’s review:

We shall overkill, he means. Never have his Howard Keel tendencies, or maybe now they’re Paul Robeson tendencies, tripped him up so bad. The idea is to big up the music and play the jokes you don’t ignore like you’re working a Roman amphitheater. I’m glad to have met the anti-war lament “Mrs. McGrath” and Sis Cunningham’s “My Oklahoma Home,” and sort of hope young people deprived of music appreciation funding will now hear “Erie Canal,” “Froggie Went A-Courtin’,” “John Henry,” and “Jesse James.” Only are young people really ignorant of these songs? And how many of them buy Springsteen albums anyway? Amping up his strange bluegrass-Dixieland hybrid like E Street is just around the corner, he sings his lungs out. But in folk music, lightness is all–and only newbies and John Hammond Jr. lean so hard on the cornpone drawl.

(click here to continue reading Robert Christgau: Consumer Guide May. 30, 2006: Radicals of the Moment.)

Pete Seeger’s versions are all much better, of course, but you probably already guessed I would think that.

MagicYou’ll Be Coming Down, Gypsy Biker are ok. Nothing memorable about either, nor on the rest of the LP, but at least Fox News and Clear Channel hated it.

Working on a Dream – more boring arena rock, released in 2009. I think when I purchased this album, after reading yet another positive review about it, I decided that I will never like Springsteen enough to purchase another of his albums, at least without hearing it first. 

Summing up: there’s about 15-20 decent Springsteen songs over a long career, which to be fair is a higher number than a lot of artists, but for all the incessant hype and adulation surrounding Springsteen, there should be more genuinely awesome songs. The Clash have at least 40 great songs to their name, maybe more, and their career lasted from 1977-1982.2 If I went through my music library, I could easily find 20 songs from dozens of my favorite artists, 20 songs all better than the best Springsteen has to offer. 

You may like Springsteen, that is your right, de gustibus non est disputandum, but I think he’s just boring.

Footnotes:
  1. especially me []
  2. Obviously, Cut The Crap doesn’t count []

Written by Seth Anderson

September 23rd, 2017 at 11:35 am

Posted in Music,Reviews

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You Should See the Film Called Spotlight (2015)

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I’m a lazy film reviewer, but I very much enjoyed seeing Spotlight, and you probably would too. 

Netflix will have it soon, or see it in the theatre

SPOTLIGHT tells the riveting true story of the Pulitzer Prize-winning Boston Globe investigation that would rock the city and cause a crisis in one of the world’s oldest and most trusted institutions. When the newspaper’s tenacious “Spotlight” team of reporters delves into allegations of abuse in the Catholic Church, their year-long investigation uncovers a decades-long cover-up at the highest levels of Boston’s religious, legal, and government establishment, touching off a wave of revelations around the world. Directed by Academy Award-nominee Tom McCarthy, SPOTLIGHT is a tense investigative dramatic-thriller, tracing the steps to one of the biggest cover-ups in modern times.

  • Mark Ruffalo as Michael Rezendes
  • Michael Keaton as Walter “Robby” Robin
  • Rachel McAdams as Sacha Pfeiffer
  • Stanley Tucci as Mitchell Garabedian
  • Liev Schreiber as Marty Baron
  • John Slattery as Ben Bradlee, Jr.
  • Billy Crudup as Eric MacLeish

(click here to continue reading Spotlight (2015) – Rotten Tomatoes.)

Spotlight doesn’t resort to typical Hollywood clichés, there are zero car chases, there are no weapons being brandished, there isn’t a heart-pumping scene where a villain is just around the corner about to catch the hero as dramatic music swells, there is not even a heavy-handed monologue from some powerful higher-up at the Boston Globe trying to shut down the whole investigation. The reporters who make up the Spotlight team aren’t presented as larger-than-life super-humans, there are zero scenes about someone coming in drunk and belligerent, zero scenes about love-interests that have nothing to do with the plot, but simply exist to give “depth” to the character. The journalists slowly, methodically practice journalism, a dying art form. 

Instead, the film follows what actually happened as an investigative journalism team composed of Roman Catholics discovers how the institutions fail to protect the vulnerable. Cardinal Bernard Law doesn’t even get his comeuppance (in this lifetime, anyway). 

Wow. Highly recommended.

Written by Seth Anderson

December 8th, 2015 at 10:35 am

Blill Clinton Reviews The Passage of Power

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Robert Caro's LBJ: The Passage of Power
Robert Caro’s LBJ: The Passage of Power

I have a copy, but haven’t started reading it, yet. The previous volumes have all been ripping yarns, and have high expectations for this one too.

“The Passage of Power,” the fourth installment of Robert Caro’s brilliant series on Lyndon Johnson, spans roughly five years, beginning shortly before the 1960 presidential contest, including the Bay of Pigs, the Cuban missile crisis and other seminal events of the Kennedy years, and ending a few months after the awful afternoon in Dallas that elevated L.B.J. to the presidency.

…You don’t have to be a policy wonk to marvel at the political skill L.B.J. wielded to resuscitate a bill that seemed doomed to never get a vote on the floor of either chamber. Southern Democrats were masters at bottling up legislation they hated, particularly bills expanding civil rights for black Americans. Their skills at obstruction were so admired that the newly sworn-in Johnson was firmly counseled by an ally against using the political capital he’d inherited as a result of the assassination on such a hopeless cause.

According to Caro, Johnson responded, “Well, what the hell’s the presidency for?”

This is the question every president must ask and answer. For Lyndon Johnson in the final weeks of 1963, the presidency was for two things: passing a civil rights bill with teeth, to replace the much weaker 1957 law he’d helped to pass as Senate majority leader, and launching the War on Poverty. That neither of these causes was in fact hopeless was clear possibly only to him, as few Americans in our history have matched Johnson’s knowledge of how to move legislation, and legislators.

(click here to continue reading ‘The Passage of Power,’ Robert Caro’s New L.B.J. Book – by Bill Clinton.)

Written by Seth Anderson

May 2nd, 2012 at 3:13 pm

Posted in Books,politics,Reviews

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