Mix Tape Assorted 57 – Vicious Junkie Slip in Bessemer

An item from my past…

Mix Tape Assorted 57 - Vicious Junkie Slip in Bessemer

Starting somewhere around the age of 16, I started making numbered mix tapes. I’d make a few a year, first for playing in my car, then later for playing during my Magnolia Cafe South shifts. This was before I switched to CDs, so these were composed by placing the needle on a track I liked. I wish I had all these cassettes still, with the songs on them listed as well. I bet I would recognize the playlist order if I heard one of them now, I played them so many times.

I don’t have a working cassette player at the moment, which means I only know 3 songs that are for sure on this particular mixtape: I always made the title out of various songs on the mix.

Lou Reed’s Vicious
The Clash – Junkie Slip
Yo La Tengo – Lost In Bessemer

Also, based on the Yo La Tengo, this tape was probably made in 1990-91 (when I bought New Wave Hot Dogs).

So there was probably a Bob Dylan song, a Rolling Stones song, Velvet Underground and/or Lou Reed, for sure a song from either Peter Tosh or Bob Marley, probably a couple of Chicago blues tracks, probably a couple Afro-Pop songs, like by Fela Kuti or similar. Those David Byrne Brazilian compilations, Charlie Parker, acoustic Led Zeppelin, David Bowie, Talking Heads, Jimi Hendrix, R.E.M., Syd Barrett, James Brown, Smiths, The Clash, Meat Puppets, Neil Young, Camper Van Beethoven, Elvis Costello, Joy Division, Pogues, Parliament/Funkadelic, Neville Brothers, obscure folk songs, local Austin musicians like Timbuk 3, Glass Eye, Poi Dog Pondering, The Horsies and others got some attention, i.e. not much different from my tastes today, just less depth as I didn’t know as much about music history.

Usually the last song on either side was an instrumental, so that it could flip to play the other side without being cut off mid-sentence. At home I listened to a lot of heavier stuff – punk rock, heavy bebop and so on, I didn’t put these on the mixes as often someone would complain1 and then I’d lose my control of the music flow. Maybe once in a while, I’d slip in a bit of something like the Butthole Surfers, or Public Enemy, but it was a risk.

I don’t recall if this particular one had any sound collages of snippets of several songs, but I recall creating some of those before I knew much about mixing. All done by hand with a turntable and a cassette deck, and inebriant of choice. I did sometimes check out vinyl records from the public library, and added a song or two even if I didn’t love it just to have something new.

Some mix tapes were thematic, some were just collections of songs I liked. I think I got up to #71 or #72 before I started making CD versions, and then just playlists on an iPod/iPhone. 

The Replacements - Tim

Footnotes:
  1. staff or customers []

Travis Varsity Soccer circa 1985-1986

Seth  Varsity Soccer from 1985 1986 yearbook
Seth – Varsity Soccer from 1985-1986 Travis High School yearbook

Our team was horrible that year, but it was also a fun season. Several people on the team are not in this photo for whatever reason (poorly organized photo session probably, THS’s award winning yearbook teacher left the summer before, this edition of the yearbook won zero awards).

This was the year that I was anonymously quoted in the school newspaper complaining that the football team got pep rallies and the soccer team was basically ignored. Our principal stormed out on the practice field and yelled at us for 15 minutes about it, even though it was true, she didn’t want to admit to it, it made the school look bad and blah blah blah. Nobody on the soccer team said a word, we just looked at the ground sheepishly until she left.

Ahh, youth…

No Soccer Playing Allowed
No Soccer Playing Allowed

Muscle Memory
Muscle Memory

Kicking The Gong Around
Kicking The Gong Around

Why Yes I Did Watch Some World Cup Matches Today
Why, Yes, I Did Watch Some World Cup Matches Today

Join Together – A New-To-Me App to Recreate Spinning Vinyl Sides

The Replacements - Tim
The Replacements – Tim, on vinyl.

Yesterday I realized that iTunes 12.x doesn’t have an option to merge two or more music tracks into one. I thought iTunes used to have this functionality, but perhaps I was mistaken. I could have dug out my original CD, and merged the songs that way, but after briefly Googling, I discovered that Applescript master and long-time iTunes expert Doug Adams has built a (Mac only) app that performs this very task. Cool!

Join Together will create and export a single AAC or ALAC audio file from the audio data of tracks dragged from iTunes or files dragged from the Finder, leaving the original source tracks and files intact.

(click here to continue reading Doug’s Apps for iTunes – Join Together – v7.7.3 – Official Download Site.)

Or as Doug added on Twitter: 

Quality LP sides have their own internal logic & mood, as sequenced by the artist/producers. Each LP side can even have its own character. Breaking up albums into single songs in iTunes defeats the artist’s intent. I realized there were many albums that I owned that would benefit from being joined together like this. Mostly albums from before CDs became the default medium, I’m guessing in the early 1990s.1

An LP that has been played many, many times embeds itself in your brain as it is sequenced. Of course, thinking back, I often did skip a particular track on some albums if I wasn’t otherwise occupied, but usually I would play an entire LP side, and then maybe not even flip it over, but move on to the next LP. 

Wu-Tang Clan’s debut LP
Wu-Tang Clan’s debut LP

Albums that I loved on vinyl enough to replace on CD, aka Desert Island Discs; LPs like Highway 61 Revisited, or London Calling, or Kind of Blue, Electric Ladyland, individual songs that should be heard together in sequence like the Grateful Dead’s China Cat Sunflower and I Know You Rider, or even the short songs that make up the second side of Abbey Road; these are ideal candidates for Join Together.

Whenever I played the Meat Puppets 2, I always played the second side first, as I thought the first song on the first side2 was too jarring, and unlike the rest of the LP. When I use Join Together, I’m going to recreate that playing experience. I don’t need to hear Led Zeppelin’s “Stairway to Heaven” more than once or twice a year, so I’ll make a version of Led Zeppelin IV -Side 1 without Stairway3. Same with the Velvet Underground & Nico: how many times a year do I want to hear “European Son”? 

Big Star - first album
Big Star – first album

Footnotes:
  1. I was a late hold-out, and didn’t purchase my first CD until I couldn’t find a vinyl version of Sonic Youth’s Experimental Jet Set, Trash and No Star []
  2.  “Split Myself in Two” []
  3. I often would pick the needle up after hearing the first few notes []

The Breakfast Club 30 years later

"You load up. You party"

A photo posted by Seth Anderson (@swanksalot) on

I graduated from high school in 1986, so the Breakfast Club will always have a certain resonance for me. Coincidentally, I watched the film a few months ago (for the first time since seeing it in a theater in Austin) – verdict, good film, not great, but watchable.

Make it a double feature with Slacker (filled with people I knew or at least recognized from Austin’s streets), and you have a decent biosketch of a lot of people my age.

Hanging over the film is a dread that no matter how cool or rebellious or thoughtful you may be, we all become our parents. Well, sounds good: Socioeconomically speaking, this generation (according to too many studies to mention) will be the first in 60 years to have smaller incomes, greater student-loan debt and higher unemployment than the previous generation. Said Daniel Siegel, the esteemed clinical psychiatrist and author of “The Developing Mind: How Relationships and the Brain Interact to Shape Who We Are”: “The upside may be an increased quality of life than generations before this one. Science supports that if you don’t reflect on what happened to you as a child, it is highly probable you will re-enact the behaviors of your parents. Under stress, those qualities really come out. Culture may change, but that fundamental reality hasn’t. But it could be this generation is more reflective. The more mindful you are, the more you release yourself from matters of the past, and I think that mindfulness is being encouraged more than back in 1985.”

The critical assessment

“The Breakfast Club” made $51 million on a modest budget of $1 million. Chicago reviews were generous: Roger Ebert (“a surprisingly good ear”) and Gene Siskel (“thoroughly serious”) raised their thumbs. Elsewhere, notice was mixed. Kirk Honeycutt, then film critic for the Los Angeles Daily News (and later the Hollywood Reporter), remembers: “I thought the movie was a little pat, a little too eager to blame parents, then go home.” These days, it’s seen as Hughes’ defining work, an ’80s touchstone with a Rotten Tomatoes approval (consisting of mostly blog reviews) of 91 percent. It is in a way a reminder that nostalgia and reassessment take an outsize role in deciding what becomes a classic. Honeycutt, for instance, has a new book: “John Hughes: A Life in Film.” He told me: “A lot of critics didn’t treat (Hughes) fairly. I think we were too worried about, say, Woody Allen. These kid problems looked overblown. We missed the relevance. Hughes was making a point about how it felt to be a teen, and we missed it with “Breakfast Club.” I failed it too. But then, a good film — you see something new each time. And 30 years later, I’ve changed my mind.”

(click here to continue reading The Breakfast Club 30 years later, how culture has changed – Chicago Tribune.)