links for 2008-06-03

Bucky Fuller: Dymaxion Man


“Buckminster Fuller: Starting with the Universe (Whitney Museum of American Art)” (K. Michael Hays, Dana A. Miller)

I’d really like to go to this exhibit at the Whitney – Bucky Fuller was a wild cat.

One of Buckminster Fuller’s earliest inventions was a car shaped like a blimp. The car had three wheels—two up front, one in the back—and a periscope instead of a rear window. Owing to its unusual design, it could be maneuvered into a parking space nose first and could execute a hundred-and-eighty-degree turn so tightly that it would end up practically where it had started, facing the opposite direction. In Bridgeport, Connecticut, where the car was introduced in the summer of 1933, it caused such a sensation that gridlock followed, and anxious drivers implored Fuller to keep it off the streets at rush hour.

Fuller called his invention the Dymaxion Vehicle. He believed that it would not just revolutionize automaking but help bring about a wholesale reordering of modern life. Soon, Fuller thought, people would be living in standardized, prefabricated dwellings, and this, in turn, would allow them to occupy regions previously considered uninhabitable—the Arctic, the Sahara, the tops of mountains. The Dymaxion Vehicle would carry them to their new homes; it would be capable of travelling on the roughest roads and—once the technology for the requisite engines had been worked out—it would also (somehow) be able to fly. Fuller envisioned the Dymaxion taking off almost vertically, like a duck.

Fuller’s schemes often had the hallucinatory quality associated with science fiction (or mental hospitals). It concerned him not in the least that things had always been done a certain way in the past. In addition to flying cars, he imagined mass-produced bathrooms that could be installed like refrigerators; underwater settlements that would be restocked by submarine; and floating communities that, along with all their inhabitants, would hover among the clouds. Most famously, he dreamed up the geodesic dome. “If you are in a shipwreck and all the boats are gone, a piano top . . . that comes along makes a fortuitous life preserver,” Fuller once wrote. “But this is not to say that the best way to design a life preserver is in the form of a piano top. I think that we are clinging to a great many piano tops in accepting yesterday’s fortuitous contrivings.” Fuller may have spent his life inventing things, but he claimed that he was not particularly interested in inventions. He called himself a “comprehensive, anticipatory design scientist”—a “comprehensivist,” for short—and believed that his task was to innovate in such a way as to benefit the greatest number of people using the least amount of resources. “My objective was humanity’s comprehensive success in the universe” is how he once put it. “I could have ended up with a pair of flying slippers.”

Fuller’s career is the subject of a new exhibition, “Buckminster Fuller: Starting with the Universe,” which opens later this month at the Whitney Museum of American Art. The exhibition traces the long, loopy arc of his career from early doodlings to plans he drew up shortly before his death, twenty-five years ago this summer. It will feature studies for several of his geodesic domes and the only surviving Dymaxion Vehicle. By staging the retrospective, the Whitney raises—or, really, one should say, re-raises—the question of Fuller’s relevance. Was he an important cultural figure because he produced inventions of practical value or because he didn’t?

[Click to read three more pages of Annals of Innovation: Dymaxion Man: Reporting & Essays: The New Yorker]

Don’t think I’m traveling to NYC anytime soon however. There is a slide-show up at the moment.


“Critical Path” (R. Buckminster Fuller)

Norway’s Think to Sell Electric Cars in U.S.

Wonder if these plans have been altered1

DETROIT – Norway’s Think Global AS, with backing from U.S. venture capital investors, plans to produce and sell a small all-electric car in the U.S. that could go as far as 110 miles when fully charged – fresh evidence that the race to woo American consumers with electric cars is heating up and drawing interest from the same investors that helped build Silicon Valley.

Norway’s Think Global plans to launch an electric car, called the Think City, in the U.S. in 2009.
The Oslo-based electric carmaker, which recently set up a U.S. office in Menlo Park, Calif., is trying to determine what geographical areas to focus its sales activities on, with an aim to launch the car – the Think City – in 2009. Think, a Ford Motor Co. unit until the U.S. auto maker sold it to a Norwegian company in 2003, is also searching for a site in the U.S. and Mexico to assemble the car.

Jan-Olaf Willums, Think Global chief executive officer, said Think plans to sell the City, to be priced less than $25,000, in densely populated cities because of the car’s limited range. The car is just hitting the market in Norway, Sweden and Denmark where a typical user drives the vehicle for a relatively short commuting distance and plugs it into an electric outlet in his garage to charge it overnight.

[From Norway’s Think to Produce, Sell Small Electric Cars in U.S. – WSJ.com]

Something to look out for in any case

Footnotes:
  1. since the original article was posted June, 2008 []

links for 2008-05-30

Alleys are life, embodied

Alleys are life, embodied

Alleys are life, embodied, originally uploaded by swanksalot.

Alley, West Loop. Maybe Randolph St., not sure yet. Slightly Photoshopped.
emotional response here
www.b12partners.net/mt/archives/2005/06/alleys_are_life.html

www.building-cincinnati.com/2008/05/cincinnati-will-consi…

links for 2008-05-29

Food Labs Corrupt

Dog Food

FDA has been caught with its head in the proverbial sand again, sort of a don’t ask, don’t tell policy for food safety. Venue shopping, in other words.

A congressional committee is investigating whether some private U.S. laboratories were instructed to withhold samples of tainted food so that importers could get their goods into the United States.

In a May 1 letter to 10 labs, the House Committee on Energy and Commerce suggests they may have been encouraged by importing companies to discard test results that had failed Food and Drug Administration standards.

“We’re gathering information from both the FDA and private industry about the labs almost being complicit in helping importers game the system,” said Rep. Bart Stupak (D-Mich.), chairman of the Oversight and Investigations subcommittee that is investigating the labs and food companies. “Someone told us you pay for the result you want to get from the labs.”

The committee’s letter reiterates Stupak’s suspicion that testing on some samples was conducted repeatedly until the food passed.

In other instances, the letter says, importers whose food failed tests at one laboratory would hire a different lab to continue testing until they got a positive result. “This repeated testing is done without alerting FDA that potentially dangerous food has been imported into this country — a practice which we find deplorable,” the letter states.

The committee asked 50 multinational food companies for a wide range of recall- and food-import records dating to 2000. A May 8 letter from the committee to the companies asks about instances when food was found to be contaminated with chemicals or bacteria such as E. coli, salmonella or listeria. “We wish to assess the extent of microbiological and/or chemical contamination occurring during the processing of food and the extent to which controls have failed to prevent or eliminate contamination in food,” the committee wrote.

Three Chicago-area corporations— Kraft Foods Inc., Sara Lee Corp. and the Wm. Wrigley Jr. Co.—are included in the second request.

[From Suspicions deepen on food labs — — chicagotribune.com]

Sounds like a pretty big loophole to me: too bad the FDA’s mandate is to protect the business interests of food manufacturers, and not consumers, or else the FDA would run its own laboratories, conducting its own tests. Privatization is usually not the best solution to address public health concerns.

Last autumn the FDA issued an alert on five types of Chinese seafood: eel, shrimp, catfish, basa and dace. The warning was recognition of the fast-growing Asian aquaculture industry and its frequent use of antibiotics banned in the United States.

To import those seafoods, companies affected by the alert must prove that their products don’t contain banned substances. Conducting tests to prove it is one of the jobs the private labs perform.

So far, just 2 of the 10 labs targeted by the House committee have complied with the records request, according to committee staffers. Amir Jalaeikhoo, president of one lab that did comply, Imperial Private Laboratories Inc. of Miami, said that his firm reports negative test results to the FDA. Imperial mostly tests for pesticides in produce imported from Central and South America, Jalaeikhoo said. “Sometimes we lose clients because our standard operating procedure is that basically if something is … in violation, we submit it,” he said. “Some importers don’t like that policy.”

The nation can’t afford to ensure the quality of its citizen’s food – there are wars in the desert to fund!

Hemingway’s Papa Doble

Is Life a Caberet?

I’ve never been much of a fan of rum. Either the rum I’ve had has been of inferior quality, or perhaps I’ve never had the mixologist skills to make a quality daiquiri. I’m intrigued by this tale however:

Lillian Ross made her career with a New Yorker profile of Ernest Hemingway that suggested his thirst was prodigious. And she made John O’Hara mad: “The most recent, and most disgusting, example of the intrusions into Hemingway’s private life was made by a publication that reported on Hemingway’s drinking habits, somewhat in the manner of a gleeful parole officer,” complained the man who had all but invented the New Yorker-style short story. “But for Eustace Tilley to raise an eyeglass over anybody’s drinking is one for the go-climb-a-lamppost department.”

Truth be told, no one did more to play up the heroic magnitude of Hemingway’s drinking than Hemingway himself. Whenever someone made the pilgrimage to Havana to be introduced to the novelist, Hemingway would meet him at La Florida bar, affectionately known as the “Floridita.” And there, with much bravado, Hemingway would boast of the sheer quantity of alcohol he could consume in the form of Papa Dobles — the double frozen Daiquiris made to his particular specifications.

[From Hemingway’s Daiquiri – WSJ.com]

According to Eric Felten, the Papa Doble recipe was mistranslated for years to use lemon instead of lime:

Cocktail scholar Philip Greene (a government intellectual-property lawyer in Washington) was able to track down the source of the mistake: a recipe booklet the Floridita published in 1937 as a promotional giveaway. Like a volume in the Loeb Classical Library, the Floridita pamphlet presented its text in the original language on the left with a translation on the right. But the copy editing wasn’t all it could be. For starters, the Papa Doble is listed as the ” ‘E. Henmiway’ Special.” The English recipe specifies the “juice of ½ lemon.” But the Spanish original next to it specifies “Jugo ½ limón verde” — which isn’t lemon at all, but lime.

It’s an error that has been repeated for decades. Nearly 10 years ago, Michael Palin of Monty Python fame filmed a television special chasing down Hemingway’s adventures, and at one point he sat himself down at the Floridita bar to work his way through a succession of Papa Dobles. Mr. Palin’s description of the recipe is “basically rum, lemon and sugar over crushed ice, with a Maraschino cherry.” Unfortunately, not only did Mr. Palin repeat the lemon error — he compounded it with a raft of his own errata.

Parenthetic note: I’ll have to look for the Michael Palin documentary, I’ve seen several of those, and they are well done, and a lot of fun. Final note, perhaps the proportions are slightly different – more lime, and more grapefruit:

After meeting Hemingway over Daiquiris in 1948, A.E. Hotchner went on to drink innumerable Papa Dobles at the Floridita with the great man himself, and he paid attention to what Constante was doing. “A Papa Doble was compounded of two and a half jiggers of Bacardi White Label Rum, the juice of two limes and half a grapefruit and six drops of maraschino,” Mr. Hotchner writes. That’s four times the lime juice of the 1937 recipe, and far more than the scant teaspoon of grapefruit juice originally called for. I don’t know which recipe is the truest, but I like the results when you split the difference, combining the two ounces of rum specified by the original recipe with a little bit of extra citrus. The texture is also important. Mr. Hotchner recounted that the Daiquiri ingredients were “placed in an electric mixer over shaved ice, whirled vigorously and served foaming in large goblets.” Hemingway himself described a properly beaten Daiquiri as looking “like the sea where the wave falls away from the bow of a ship when she is doing thirty knots.”

Sounds like a good experiment for Memorial Day (hopefully much better than this one, yikes)


here’s my attempt: though didn’t have maraschino. Delicious actually.
Papa Dobles
[click to embiggen]

Some Jazz Albums

Lists are really the bane of a reviewers existence. Not only can you spend your whole day compiling lists of best so and so, and then defending why Artist X should be on the list but not Artist Y, but then some other reviewer drops a slightly different list of greatest Jazz albums, for instance. A morass of conflicting opinions and options. David Remnick of the New Yorker contributes his top 100 Jazz albums which would be a pretty excellent place to start a music library with.

While finishing “Bird-Watcher,” a Profile of the jazz broadcaster and expert Phil Schaap, I thought it might be useful to compile a list of a hundred essential jazz albums, more as a guide for the uninitiated than as a source of quarrelling for the collector. First, I asked Schaap to assemble the list, but, after a couple of false starts, he balked. Such attempts, he said, have been going on for a long time, but “who remembers the lists and do they really succeed in driving people to the source?” Add to that, he said, “the dilemma of the current situation,” in which music is often bought and downloaded from dubious sources. Schaap bemoaned the loss of authoritative discographies and the “troubles” of the digital age, particularly the loss of informative aids like liner notes and booklets. In the end, he provided a few basic titles from Louis Armstrong, Count Basie, Benny Goodman, Miles Davis, and other classics and admitted to a “pyrrhic victory.”

What follows is a list compiled with the help of my New Yorker colleague Richard Brody. These hundred titles are meant to provide a broad sampling of jazz classics and wonders across the music’s century-long history. Early New Orleans jazz, swing, bebop, cool jazz, modal jazz, hard bop, free jazz, third stream, and fusion are all represented, though not equally. We have tried not to overdo it with expensive boxed sets and obscure imports; sometimes it couldn’t be helped. We have also tried to strike a balance between healthy samplings of the innovative giants (Armstrong, Ellington, Parker, Davis, Coltrane, etc.) and the greater range of talents and performances.

[From Online Only: 100 Essential Jazz Albums: Online Only: The New Yorker]

I won’t bother with all one hundred, but here a few of my favorites on this list


“The Complete Hot Five and Hot Seven Recordings” (Louis Armstrong)


“The Essential Bessie Smith” (Bessie Smith)


“Money Jungle” (Duke Ellington, Charlie Mingus, Max Roach)


“The Classic Early Recordings in Chronological Order” (Django Reinhardt, Stephane Grappelli)


“Handful of Keys” (Fats Waller)


“Bird: The Complete Charlie Parker on Verve” (Charlie Parker)


“The Complete RCA Victor Recordings: 1947-1949” (Dizzy Gillespie)


“Bitches Brew” (Miles Davis)


"A Love Supreme" (John Coltrane)


"Mingus Ah Um" (Charles Mingus)


"Saxophone Colossus" (Sonny Rollins)


"The Complete 1961 Village Vanguard Recordings" (John Coltrane)


"The Köln Concert" (Keith Jarrett)