((During one of this humble blog’s fallow periods, the David Simon incident mentioned below occurred at the White House. An incident custom made for my particular interests, and yet I’m pretty sure I only tweeted about it. Oh well.))
The War on Drugs has been dialed back a bit from the Reagan-Bush-Clinton-Bush years, but it does continue. Too many laws have been passed encouraging civil forfeiture, encouraging stripping drug offenders of their voting rights and other civil liberties for the war to ended. President Obama and A.G. Eric Holder have slightly de-escalated the conflict, and various states in the US are de-escalating aspects of the conflict on their own citizens’ initiatives, but too many people are in jail for the crime of altering their own consciousnesses.
Jelani Cobb of The New Yorker writes:
In May, 2011, Attorney General Eric Holder invited several cast members from the HBO series “The Wire” to Washington, D.C., to help promote a Justice Department initiative called the Drug Endangered Children’s Task Force. “The Wire,” which aired for five seasons and was acclaimed for its nuanced portrayal of the war on drugs, was a favorite of both Holder and President Obama. Holder jokingly ordered the show’s creators, David Simon and Ed Burns, to produce a sixth season. “I have a lot of power,” he said. “The Attorney General’s kind remarks are noted and appreciated,” Simon told a reporter. “We are prepared to go to work on Season 6 of ‘The Wire’ if the Department of Justice is equally ready to reconsider and address its continuing prosecution of our misguided, destructive, and dehumanizing drug prohibition.” Fans groaned in despair: the improbable sixth season now seemed to hinge on something even less likely, an end to the war on drugs. But the exchange was significant for reasons beyond its implications for HBO’s programming. Although the catastrophic consequences of that war are widely acknowledged, there is less clarity about what ending it would entail.
The United States has declared war on cancer, on pornography, and on terror, and the lesson to be gleaned from those campaigns is that, unlike most other wars, those declared against common nouns seldom come to a precisely defined conclusion. The wars on cancer and pornography were really instances in which martial language was used to bolster particular policy initiatives by the Administrations that enacted them. The war on drugs has been a multitiered campaign that has enlisted legislation, private-sector initiatives, executive-branch support, and public will. But it actually looks like a war, with military-style armaments, random violence, and significant numbers of people taken prisoner. It has been prosecuted throughout eight Administrations and has had the type of social and cultural impact that few things short of real warfare do. During the Civil War, more than a quarter of a million Southern men died, creating the phenomenon of a vast number of female-headed households throughout the region. Mass incarceration during the war on drugs has produced a similar phenomenon among African-American households.
(click here to continue reading A Drawdown in the War on Drugs – The New Yorker.)