Abramoff Down the Memory Hole

Just a little taste of how President Obama’s administration is going to be covered. Hint: it won’t be as soft as the coverage of the current Resident, not by a long shot. At least there is a stronger alternative media/blogosphere than existed in the 1990s.

George Zornick writes: Yesterday, a congressional report revealed that disgraced uber-lobbyist Jack Abramoff, who has pleaded guilty to charges of conspiracy, mail fraud, wire fraud, and tax evasion, and remains at the center of one of the largest influence-peddling scandals in recent memory, met with the president of the United States at least six times and that there were over 150 verifiable contacts between Abramoff and White House officials, and probably many more — these contacts included White House officials who went to Abramoff “seeking tickets to sporting and entertainment events, as they did seeking input on personnel picks for plum jobs.” When asked about the report, White House spokesman Tony Fratto’s dismissive response was, “Give me a break.”

Luckily for Fratto, the press largely did. These revelations were not reported on any of the major networks broadcasts last night. Nor could the story be found on the front page of The New York Times, the Los Angeles Times, or The Washington Post today.

This is nothing new for coverage of the Abramoff scandal. Recall, back when the scandal broke in 2005, that the press largely refused to hold Republicans responsible for what was clearly a Republican scandal of epic proportions. (None other than the National Review’s Rich Lowry wrote that the Abramoff mess “is, in its essence, a Republican scandal, and any attempt to portray it otherwise is a misdirection.”)

But the press didn’t usually agree. For example:

Chris Matthews asked, while discussing the scandal in January 2006, “[D]on’t you have to be a real ideologue, a real partisan to believe that one party’s more crooked than the other?”
No Democrat ever took money from Abramoff directly. But that didn’t stop NPR’s Mara Liasson from saying it, nor Tim Russert, nor Katie Couric, nor Bill O’Reilly, nor the AP, nor The New York Times.

The Washington Post uncritically reported Grover Norquist’s claim that Abramoff didn’t meet with President Bush in May 2001, even though there was a photo reported to show that Abramoff was there.

David Brooks baselessly claimed Abramoff only met with Bush twice, based on some incomplete Secret Service logs, and Brit Hume did the same, even though the White House itself acknowledged there were more visits not mentioned in those logs.

The press also repeatedly brushed off the scandal — The New York Times’ Anne Kornblut, only hours after the Associated Press reported that Abramoff told Vanity Fair magazine he had close ties with President Bush and White House senior adviser Karl Rove, cited what she called “good news” for the White House, which is that “no one’s talking about Jack Abramoff anymore.” Chris Matthews predicted in early 2006, “It’s not going to be part of a larger story of Washington this year, I think.”

When this same House panel released a preliminary report on the Abramoff/White House connections in 2006, revealing far more ties than previously acknowledged, CBS and NBC didn’t cover it at all. That same report led directly to the resignation of Susan Ralston, a senior adviser to Karl Rove. But the three major networks — on all shows, morning, evening, and weekend — completely ignored the resignation, fulfilling White House deputy press secretary Dana Perino’s prediction that “nothing more will come from the [congressional] report, no further fallout from the report.”

And then there’s the current “break” being given to the White House. Which all, of course, leads to this question: What if this had happened to a Democratic president, and Abramoff’s name was Jim McDougal?

(Here’s a clue: Yesterday on Fox News, the name “Rezko” was mentioned 19 times, and the name “Abramoff” zero times, according to Lexis).

[From Media Matters – Altercation by Eric Alterman]

Can we elect a new national corporate media in 2008 as well? Please?

Netflixed: Baraka


“Baraka” (Ron Fricke)

Hope this film is interesting as it sounds.



The relationship between humans and their environment is the subject of this mesmerizing visual study from Ron Fricke, the cinematographer and editor of Koyaanisqatsi. The images — which Fricke gathered from 24 countries — range from the daily devotions of Tibetan monks and whirling dervishes to a cigarette factory and time-lapse views of the Hong Kong skyline. Diverse world music accompanies the visuals.
[From Baraka]

and from Larisa Moore

The word Baraka means “blessing” in several languages; watching this film, the viewer is blessed with a dazzling barrage of images that transcend language. Filmed in 24 countries and set to an ever-changing global soundtrack, the movie draws some surprising connections between various peoples and the spaces they inhabit, whether that space is a lonely mountaintop or a crowded cigarette factory. Some of these attempts at connection are more successful than others: for instance, an early sequence segues between the daily devotions of Tibetan monks, Orthodox Jews, and whirling dervishes, finding more similarity among these rituals than one might expect. And there are other amazing moments, as when sped-up footage of a busy Hong Kong intersection reveals a beautiful symmetry to urban life that could only be appreciated from the perspective of film. The lack of context is occasionally frustrating–not knowing where a section was filmed, or the meaning of the ritual taking place–and some of the transitions are puzzling. However, the DVD includes a short behind-the-scenes featurette in which cinematographer Ron Fricke (Koyaanisqatsi) explains that the effect was intentional: “It’s not where you are that’s important, it’s what’s there.” And what’s here, in Baraka, is a whole world summed up in 104 minutes

Big Bottom (Lounge)

Lake Street El to somewhere else
[Lake Street El to Somewhere Else – probably taken at 1100 West Lake, give or take]

Big Bottoms drive me out of my mind! – [Spinal Tap, if you forgot.] Anyway, of special interest as 1375 W. Lake is stumbling distance from me (or one El stop away if the weather is crappy).

Bottom Lounge (1375 W Lake St.) just opened. No, seriously, I’ve friggin’ been there man. And golly, is it big—well, bigger than I imagined. So impressively large is this new live music venue that ‘lounge’ seems totally inappropriate as a part of the name. Lounges just aren’t of this size, even in truth-stretching clubspeak. Though it’s not quite as deep in the live room, it reminds me of Washington D.C.’s Black Cat (the newer one), in that the bar feels like a rocker hangout that thrives regardless of what is happening in the live room.

The entryway is bigger than some condos I’ve been in, and there’s a spacious high-ceilinged bar there with vinyl booths. The live room (with its own absinthe-serving bar) is well proportioned. The generously-scaled stage looks made to accommodate multiple Mucca Pazzas simultaneously (a scary thought), and the sound system runs through a pro-size (Midas Verona 40×8) mixing board in the front of house. I haven’t heard a band, only DJs, through the system—I was at the final night of the Our Way of Thinking mod festival with Tony the Tyger and The Dust Junkies spinning obscure mod rock and Northern soul. The sound wasn’t overly loud, and it was clear enough to get the mini-dress-and-tight-suit set out on the dance floor and close to the Nexo Alpha speakers.

[Click to see a photograph and more info at Time Out Chicago: The TOC Blog Big Bottom (Lounge)]

Probably not quite as cool as the Lounge Ax (which was also stumbling distance from me, back in the 90s), but still good to note. I can’t say I recognize any of the acts currently listed, but that doesn’t even matter. Just happy something interesting landed at that spot and not another freaking condo building.

Bottom Lounge

links for 2008-06-10

Death at Blommer Chocolate

The ABCs of Chocolate
[The ABCs of Chocolate-across from Blommer Chocolate Company]

First off, I have great sympathy for Gerardo Castillo’s family, that’s got to be a hard way to die.

Chicago officials and the U.S. Occupational Safety and Health Administration hunted Monday for the cause of a fatal gas release that killed a North Side man and hospitalized two others at a chocolate factory on the Near West Side over the weekend. Gerardo Castillo, 30, was killed Sunday in the second fatal accident since 2001 at Blommer Chocolate Co., 600 W. Kinzie St.

Castillo of the 1700 block of West Olive Avenue was pronounced dead at Northwestern Memorial Hospital after a release of ammonialike fumes at the factory. A substance mixed into the chocolate somehow triggered a gaseous chemical reaction, a Chicago Fire Department spokesman said.

[snip]

OSHA last inspected the facility in 1994, said federal compliance officer Tricia Railton, who was reading from a report. Those safety investigations had to do with workers who were cleaning a piece of equipment that either had not been disconnected or was not marked as being potentially dangerous to the cleaners if turned on. It was not immediately clear if an injury prompted that inspection, Railton said. In 2005, the U.S. Environmental Protection Agency sent an inspector to check the factory after a neighbor complained about the aroma of burnt chocolate. The unidentified complainant also noted a powder-filled plume churning out of a roof duct.

Based on what the inspector saw two mornings in early September, the EPA cited Blommer for violating limits on opacity, or the amount of light blocked by the factory’s grinder dust.

[From U.S., city probing death at chocolate factory — chicagotribune.com]

But this EPA thing has been ongoing for a while. In fact, we mentioned it to Alderman Reilly when we met him in his office just prior to Reilly being sworn in, and his staff was going to look into it. Pollution and particulates are pollution and particulates, even if they smell like chocolate, and shouldn’t be allowed to permeate the lungs of local residents (like myself, ahem). I am curious as to what the details of this September investigation actually were.

Previous coverage of Blommer on my old blog

Blommer Continue reading “Death at Blommer Chocolate”

Netflixed: Logan’s Run


“Logan’s Run” (Michael Anderson, Ronald Saland)

For some reason, watched this film earlier today for the first time.

Life in the year 2274 is a carnival of pleasures — until you hit age 30. An all-powerful state kills those who reach their third decade, and cop Logan 5 (Michael York) is in charge of capturing “runners” who try to escape their fate. It’s a nice gig until he reaches the “golden age.” Logan’s Run offers an inventive vision of a dark paradise.

[From Netflix: Logan’s Run]

Moderately amusing, 1970s cocaine and free-love film. Not sure how Logan’s Run won any Oscars, must have been an off-year for special effects.

Farrah Fawcett-Majors is an absolutely horrible actress, at least in this film. I mean, embarrassingly bad. Yikes. Nobody’s performance is really good, but she is cringeworthy.

The censors at MGM cut out most of the orgy scene, and the Hallucimill sequence, subsequently Kirk Kerkorian threw out the footage.

As I sat through some of the more eye-rolling sequences, I thought Logan’s Run would be a good candidate for a modern update. The premise was sort of interesting, but the execution was weak. Current social mores wouldn’t have a problem with the free-love aspect, nudity, nor the drug use, if handled with precision and humor. Apparently, I don’t have to write a treatment, as the remake is already in the works. [IMDb entry]


In a future where the masses are systematically put to death upon reaching a certain age, those who attempt to cheat death are dubbed “runners” and pursued by formidable operatives known as Sandmen. Logan is a Sandman who is fast approaching that fateful age, and when he decides to run the stage is set for the ultimate chase. Former commercial filmmaker Joseph Kosinski makes his feature directorial debut with a low-tech sci-fi thriller written by Tim Sexton, and inspired more by William F. Nolan and George Clayton Johnson’s 1967 novel than the 1976 feature starring Michael York and Jenny Agutter.


“Logan’s Run (Logan)” (William F. Nolan, George Clayton Johnson)

A YouTube preview (several minutes long)

Contains deleted and alternate footage. The primary audience for this long preview were theater owners.

Netflixed Caligula


“Caligula (Three-Disc Imperial Edition)” (Analysis Film Releasing Corporation)

Shipped on 01/09/08.

Malcolm McDowell portrays the infamous emperor who wielded godlike power over ancient Rome while at the same time sleeping with his sister (Teresa Ann Savoy). Helen Mirren, Peter O’Toole and John Gielgud co-star in this film produced by Penthouse Magazine editor Bob Guccione and written by Gore Vidal. Warning: This unrated edition contains explicit sex, nudity and violence as well as disturbing imagery. [From Netflixed: Caligula]

Yikes. Easily the worst movie I’ve seen in years. Not even good porn, unless you like late 70’s Penthouse Magazine lesbian porn, or scenes of group (male) masturbation. I couldn’t make myself watch the whole thing, apparently there was even more over-the-top action to follow.

My two word review: cocaine-inspired megalomania. Apparently, Bob Guccione locked everyone except for sycophants out of the editing room, and cut and pasted footage so it is even more confusing. Gore Vidal sued to get the title changed from “Gore Vidal’s Caligula” to “Caligula”, though his name is still on the credits. Even as straight-out camp fun, this film wasn’t fun.

Roger Ebert’s review is classic:

“Caligula” is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty. Disgusted and unspeakably depressed, I walked out of the film after two hours of its 170-minute length. That was on Saturday night, as a line of hundreds of people stretched down Lincoln Ave., waiting to pay $7.50 apiece to become eyewitnesses to shame.

I wanted to tell them … what did I want to tell them? What I’m telling you now. That this film is not only garbage on an artistic level, but that it is also garbage on the crude and base level where it no doubt hopes to find its audience. “Caligula” is not good art, It is not good cinema, and it is not good porn. [snip]

You have heard that this is a violent film. But who could have suspected how violent, and to what vile purpose, it really is? In this film, there are scenes depicting a man whose urinary tract is closed, and who has gallons of wine poured down his throat. His bursting stomach is punctured with a sword. There is a scene in which a man is emasculated, and his genitals thrown to dogs, who eagerly eat them on the screen. There are scenes of decapitation, evisceration, rape, bestiality, sadomasochism, necrophilia.
[snip]
“This movie,” said the lady in front of me at the drinking fountain, “is the worst piece of shit I have ever seen.”

Bill Moyers vs. Fox “News”

Fox News aka Faux News is journalism for those who despise journalism. I assume Bill O’Leilly will edit this footage to make it appear that Moyers won’t appear on Fox “News”.

I still wish Bill Moyers would run for President.

At the National Conference for Media Reform 2008. Fox personality Bill O’Reilly producer, Porter Barry ambushes PBS Bill Moyers to pepper him with questions regarding his political affiliations and his “refusal” to appear on O’Reily’s show. Moyers disputes Fox’s “facts.”

Uptake Political Correspondent Noah Kunin was nearby and obtained this raw video.

The refusal was actually that Bill Moyers said the condition would be that Bill O’Leilly would have to appear on Bill Moyers show first, for an one hour interview, and that somebody would have to ask Rupert Murdoch about the assertion that invading Iraq would lead to oil prices falling to $20/BBL.

BILL MOYERS: I want Bill O’Reilly to ask his boss [Rupert Murdoch] where is the $20 per barrel oil? … Rupert, you said one reason for going to war with Iraq was so we could get $20 per barrel oil. Oil is now $137 per barrel. It’s wrecking our economy… Is Rupert Murdoch responsible to the American People?

Vacant Thoughts

Vacant Thoughts
Can’t seem to focus today, have desultorily picked at the newspaper, have stopped and started my current book (The Great Influenza) half a dozen times. Getting a bit of cabin fever, healing. Almost able to walk normally, I think I have to jump on my trampoline or something. Can’t even focus on working on my screenplay, feel a bit like Jimmy Stewart in Rear Window, except that I cannot see anyone’s activity in the apartment buildings nearby (still under construction, or bad angle).

Even the cats are hiding from me…

Bombay Funk Thrillers

*repost

The Funk is So Rubber


“The Bombay Connection, Vol. 1: Funk From Bollywood Action Thrillers” (Various Artists)


The Bombay Connection showcases the sound of the Indian action film of the late 70s and early 80s. Under the influence of films like Shaft and Dirty Harry a new kind of though Indian action film came into being in 1970s India. To match the loud fights and fast chases Indian composers developed a exciting brand of Bollywood funk. Wah-wah guitars, congas and funky moogs were effortlessly blended with tablas, dhols and Indian melody lines. This album compiles 12 (sic) of the best, incredibly original Bollywood Funk grooves, painting scenes of frantic chases through back streets in Bombay, secret plots conceived in subterarian headquarters by fake-moustached vilains and sexy seductive dances by female spies. The 6 panel digipack comes with a colorful 32 page booklet containing well researched info and a wealth of pictures.

the booklet is cool too, full of stills from the Bollywood Thrillers we’ve never even heard of, and a plethora of details about each obscure track.


In this first volume, we dig into the funky, bell-bottomed sounds of Indian action film music form the 1970s and 1980s. We have selected 13 tracks from the golden era of Indian funk, almost all from films that failed at the box office in their time and that are therefore hardly remembered, even in India. … But all of these films – along with the obligatory family drama scenes, comedy sequences and love songs – contained violent and kinky scenes that satiated the public’s thirst for action and sex and set the stage for the exciting funk tunes presented here.

Fun stuff, especially since the music was apparently recorded live in one take, without over-dubs. An amazing feat, since the tunes often shift tempo abruptly, heading into new directions, presumedly to follow the action projected on the screen.

Update: a great album. I’ll have to look for Volume 2.

Esquire Blues Redux

The Esquire in the Gold Coast has been shuttered for a few years. The last film I saw there was Fahrenheit 9/11, so obviously it’s been a few years. Still, I’ve always liked having a theater there, regardless if I used it or not.

Esquire Blues

M Development has withdrawn plans to build a boutique hotel on the site of the shuttered Esquire Theater on Oak Street and instead will scale down the project to a two-to-three story structure housing about a half dozen luxury retailers.

Efforts to redevelop the historic Gold Coast movie house have been in flux since the theater shut down in September 2006. M Development, the Chicago-based owner of the property, originally proposed a mixed-use complex consisting of a 100-room hotel and retail shops to replace the theater and some adjacent property it also owns.

The hotel portion of the project, which would have risen about 10 stories, encountered resistance from residents worried about traffic congestion and about losing the intimate European character of the tony street, home to Jimmy Choo, Prada, Barneys, Harry Winston and Hermes.

[From M Development cancels plans to build Oak Street hotel — chicagotribune.com]

So now what to do? Alderman Reilly, whose district encompasses this location, eventually decided against allowing the hotel to be built.

Putting a relatively tall building in the middle of the block of European graystones “violates basic urban planning principles,” Reilly added in the letter. Most of the buildings on the street are about three stories high.

He also said the proposed hotel would burden the neighborhood’s infrastructure, in particular an alley off of Bellevue Place (a residential street one block north of Oak Street) heavily used by a condo building and Sutton Place Hotel.

The one block street in the Gold Coast has a storied history. After the Chicago Fire of 1871, prominent Chicagoans established the block as an enclave for the wealthy, hiring European-trained architects to build their mansions. Many of those buildings remain, although they now house $1,500 handbags and $150,000 diamond necklaces.

Jeffrey Shapack, president of M Development, said the firm decided to forego the hotel and concentrate on the few floors of retail in order to get the project off the ground.

“Based on numerous factors and considerations, we made the decision to move forward with a retail-commercial-only development on Oak Street with plans to begin development in 2009,” said Shapack. “This development has generated a lot of interest from luxury national and international retailers who like the prospect of having their own branded facade in a new building on Oak Street.”

M Development is also redeveloping Barneys New York down the street from the Esquire.

Plans are to turn the Barneys building at the corner of Oak and Rush Streets into a retail and restaurant complex and move the existing Barneys across the street into a new, bigger building.

Cuban and the Cubs

Baseball and Beer
[Baseball and Beer – click for full version]

I am not a baseball fan (although I’ve been to a dozen or more games over the years), but I think the Chicago Tribune would do well to sell the Cubs to Mark Cuban.

Billionaire entrepreneur Mark Cuban, one of the Major League Baseball-approved bidders for the Chicago Cubs, expects to receive confidential financial data on the team any day now and said Friday on a Chicago radio show that it is his “job” to convince everyone he is the best choice to own the franchise.

Cuban also told WMVP-AM 1000 hosts Marc Silverman and Tom Waddle he “definitely would want Wrigley Field to be part of the deal,” despite the fact Tribune Co., which is parent of the Chicago Cubs, has considered selling it separately, either to the Illinois Sports Facilities Authority or a private buyer.

[From Cuban says he will ‘pull out all the stops’ in bid to buy Cubs]

The genius of Mark Cuban is that he is sincere in his dedication to the improvements of his teams, and the city that supports that team. From all that I’ve read, Dallas has benefitted from Cuban’s ownership of the Dallas Mavericks.

“My job is to convince everybody involved that not only is it a good financial move to sell to Mark Cuban, but it’s also, you know, a good partnership move, that I can add value beyond just my checkbook to not just the Cubs, to not just the city of Chicago, but also to Major League Baseball,” he said.

“It’s about being a good citizen. It’s about contributing to the community, and to me that’s viewed to be just as important as Major League Baseball or the Tribune Co. You know, what can I do for Wrigleyville? What can I do for the community? And what are the ways that I fit in and add value? … There are a lot of things we can do communitywise that can enhance my chances, and so I’m gonna pull out all the stops.”

Asked if he believed he could rely on the support of Chicago White Sox owner Jerry Reinsdorf, who also owns the NBA’s Chicago Bulls, Cuban said they “get along pretty well” and “we’re actually on the same side of issues probably 99.99 percent” of the time.

“If you talk to any of the folks in the NBA, they’ll tell you that I’m a great partner, that I bust my butt to try to do what’s best for the league,” Cuban said. “That’s not always what’s portrayed in the media. But those who know, know, and I think that will pay off. And if I can come up with a competitive bid for the Cubs, then I think I’ve got a shot.

“If talking to Jerry is something I need to do, then certainly I will and, you know, knowing Jerry he’d be wide open to it. He’s just that good of a guy.”

I hope it works out for Cuban and the Cubs.