I snapped this using a random Hipstamatic lens/film combo, liked how it turned out. That is my shadow bifurcating the yellow lines of a parking lot. 
Shot using Hipstamatic Classic, version 375, Martin SG Lens and Bream Film.
Photos on your screen are nice, but photos on your wall are better!
Framed, ready to hang prints, as well as licenses for reproduction in print and online, are available for order from my photography site — click here.
An iPhone snapshot I took of part of Shawn Bullen’s mural on the side of a train overpass in Evanston made it into Flickr’s Explored group ((top 500 images uploaded in a particular 24 hour period))
I am not exactly sure where the mural is, but I think on Elmwood Avenue? Somewhere near Davis and Maple in any case. I suppose I should upload more photos I took of the mural, eventually.
Also, it feels weird that photos of someone else’s art brings me recognition. Shawn Bullen is the dude who painted it, I just framed the bee in my iPhone camera while standing in front of it. I did intentionally include the construction sign (the City of Evanston was doing road repair on this block) to give perspective and scale, but that’s not much.
PS I wish I could figure out how to more easily add alt-text to images from Flickr.
Last week during a cold snap I took a photo out of my office window. The photo was very popular on Flickr, and eventually crept into the bottom of the Flickr Explore of that day ((top 500 photos of the day))
(click to embiggen)
Since Large Language Models (LLM) and AI are in the news, as an experiment, I wondered how they would describe my photo. I’ve been taking photographs for a long time, but sometimes I struggle to speak about them in the language of art history. Part of it is no doubt laziness. But it has been a long time ((decades!!)) since I took any art history classes.
From Claude.AI
This is a striking double-exposure photograph that combines an urban cityscape with what appears to be an ice or frost pattern. The overall color palette is dominated by deep blues, creating a cold, winter-like atmosphere.
The image layers:
hmmm. More than I would have said!
I asked ChatGBT
The photograph titled “Frosty Office Window Blues | Brrr” by Seth Anderson captures a compelling double-exposure image. The composition juxtaposes the intricate patterns of frost on a window with the blurred outlines of an office interior. The frost’s delicate crystalline structures create a natural lacework, while the superimposed office scene adds depth and context. The interplay of sharp frost details against the softer, out-of-focus office elements evokes a sense of cold juxtaposed with the warmth of indoor life. The overall blue hue enhances the chilly atmosphere, making the viewer almost feel the winter’s bite. This artistic blend of natural and man-made elements invites contemplation on the relationship between the exterior environment and interior spaces.
I then asked ChatGBT to elaborate. This was the response:
I then asked Gemini.Google.com
I’m sorry. I’m not able to access the website(s) you’ve provided. The most common reasons the content may not be available to me are paywalls, login requirements or sensitive information, but there are other reasons that I may not be able to access a site.
Doh! I then uploaded the photo…
The photo you provided is a double exposure image that captures the contrast between nature and urban environments. Let’s break down what we see:
Foreground:
Ice Patterns: The most striking element is the intricate frost patterns covering the surface. These delicate, branching structures are a result of water freezing on the window, creating a natural abstract design. The ice gives the photo a cool, almost ethereal quality.
Background:
Cityscape: Through the frost, we see the silhouette of a city skyline. The buildings are rendered in shades of gray and black, creating a sense of depth and distance. The cityscape suggests a bustling urban environment.
Overall Effect:
Possible Interpretations:
The double exposure technique adds a unique dimension to the photo, creating a layered and thought-provoking image that invites multiple interpretations.
I asked Gemini.Google to elaborate:
Technical Aspects:
Symbolic Interpretations:
Emotional Impact:
Overall, this double exposure photograph is a powerful and thought-provoking work of art. It captures the beauty and fragility of nature, the impact of urbanization, and the constant interplay between these two forces.
Continue reading “Frosty Office Window Was Added To Flickr Explore”
I believe for the first time since Flickr parent SmugMug tweaked the algorithm, a photo of mine made it into Explore December 30th, 2023.
I took this photo December 28th, 2023, and developed it in my digital darkroom the next evening.
Photo Gear
Location: At the intersection of Lincoln, Halsted and Fullerton, in Lincoln Park, Chicago. I chauffeured to a local physical therapist ((torn rotator cuff, yikes)), and while waiting the hour for the appointment to be over, I walked around the area. It started raining pretty hard, and I was nervous that my camera might get wet but kept on walking, headphones on, listening to music, including to the Bob Dylan outtakes/alternate takes from the Time Out Of Mind Recordings. By the time I took this photo, I was pretty well soaked, but continued on for another mile or so. In my car, I had a raincoat, and a plastic protective sleeve for my camera, however was too lazy to trudge back to properly gird myself against the elements. ¯\_(ツ)_/¯
At least I got a few good shots of the amazing city light during a rain storm out of it…
Darkroom (digital): Won’t bore you with every detail of what I did in Photoshop, but I do remember I used a graduated neutral density filter (in emulation) to balance the light, and Alien Skin’s Fuji Reala film (in emulation).
Cloud Gate, aka The Bean, a favorite subject of tourists and photographers.
(click to embiggen)
I took this photo February 4th, 2007, and processed it in my digital darkroom in July, 2023. I remember it being a very cold day, and that my iPod battery died from being too cold, and then so did my Nikon D80 battery. Still took a bunch of photos before this happened though.
I liked how this Hipstamatic snapshot of the sun setting over Fulton Market turned out. I don’t recall using this particular set of lens/film ((which is how Hipstamatic handles filters)) previously, but it resembles a woodcut to me, especially if you embiggen by double clicking on the image.
Hipstamatic 367 / iPhone 13 Pro
9mm f/2.8
John S Lens, Uchitel 20 Film.
For some reason, I was exploring photos I took during a visit to Frostpocket, circa 2014. I wish it was more accessible, and friendlier for drop-in visits, because Frostpocket really is a beautiful hundred acres.
Anyway, all of these photos were processed in my digital darkroom today, but taken in September 2014.
Click to embiggen, if you wish…
Red Maple In the Rain
It did rain many of the days I was there, but not hard enough to keep us inside.
Stories We’ve Heard So Many Times Before
Leaves in water is a cliché, but still fun to photograph.
Act As If You’ve Never Been Away
Easier said than accomplished. Especially when the wind blows your subject around and you can’t get a proper focus quickly enough. ¯\_(ツ)_/¯
Moss And Rock
and George’s shoe…
Wingham Classic
In Phil’s house. Presumedly wood burning, and presumedly worth something now that it is such an antique.
Birch Root and Rock
I didn’t get a great photo of this but it was nonetheless impressive. Life is for the living, even birch trees attempting to get nutrients out of a rock.
One Door Will Open
The lovely colorful chaos of nature.
I have no idea what this fungi is, nor would I attempt to eat it, but it is aesthetically appealing.
I took this photo in the Cook County Forest Preserve somewhere in 2015, and processed it in my digital darkroom on October 22nd, 2021.
I like some aspect of all three versions, and instead of discarding 2 of the three, decided to publish all three as a sort of triptych. If and when I print them, I’d like to make a 3d triangle sculpture, and hang it on a thread so it can rotate.
These are the thumbnails, but the image is better when bigger, imo. ((Click it to see a slightly larger version at Flickr))
The original version of the photograph. I especially like the golden reflections of tree trunks in the pond. Also the faint reds of the leaves at the bottom right.
The tinted version speaks a different emotional language, achieved by using cross-processing ((in emulation)) of Ektar film. Maybe I’d use this as my LP album cover, when I release that sometime in the future.
The black and white version, using Fuji Neopan 1600 ((in emulation, of course)) is more stark, yet beautiful because of it. There aren’t quite enough visual clues to ascertain exactly what this is a photo of until the viewer studies it for a moment.
I took this photo on August 6th, 2021, and processed it in my digital darkroom on August 12th, 2021.
ƒ/1.8 at 1/160
35.0 mm prime lens
ISO 125
I think this was embedded in a church wall, but I could be wrong. Maybe it was a former priest’s apartment? I cannot recall. Somewhere in the Gold Coast, probably on Dearborn, if memory serves.
Is the face a Christ? Seems like it could be, though the broken nose reminds me of the Egyptian sculptures, and the conspiracy that the noses were broken off because they were African, or other reasons.
I liked the inherent decay of the sculpture ((wabi sabi)) and the expression of this man. So seriously sad.
I was listening to my vinyl collection; tonight I played Bob Dylan’s often disparaged album, Street-Legal, which I happen to think is pretty good. By the way, Jerry Garcia recorded a good cover of Señor (Tales of Yankee Power), as did Willie Nelson with Calexico, if you are keeping track.
Senor, senor, do you know where she is hidin’?
How long are we gonna be ridin’?
How long must I keep my eyes glued to the door?
Will there be any comfort there, senor?
This seemed appropriate for a Christ embedded on a stone wall…
…click to embiggen
There is a short story waiting to be written about this moment in time. The dog walker’s expression is one of surprised guilt, but why? Is the smoker following him? His bodyguard? Or an innocent bystander?
Alleys are the beating heart of a city.
I took this photo on on March 2, 2018, and processed it in my digital darkroom on March 11, 2021.
ƒ/4.8
60.0 mm
1/125
Above Ground Sounds was taken on January 7, 2016, and processed in my digital darkroom December 22nd, 2020 at 4 AM when I couldn’t sleep.
Click here to embiggen. You probably should.
Approaching Northwestern University campus from the south, in Evanston one sunny winter day, I liked how the over-turned dumpster echoes the buildings in the background. Everything ((well, many things at least)) is technically wrong with this photo, but I like it nonetheless. The cropping is weird, the angle is a little off, who cares. I think it would make a great album cover – there is even some empty space for lettering.
LaSalle Street.
Click here to embiggen, if you want.
I had to dodge cabs long enough to stand in the middle of the street to focus and snap the shot.