Author: Seth Anderson

Just another Gen-Xer still posting on a blog

Clinton Primary Debt

Seth Anderson0 comment

Seems to make sense to me, why not allow her to balance her books? There are lots of small vendors probably still waiting to be paid off.

Hillary Clinton has $24 million she collected for a general-election campaign she now won’t run. With debts of about $20 million to outside vendors and to herself, it seems she could easily balance her books.

Campaign-finance-law experts say it isn’t so simple. The seeds of the quandary lie in the way Sen. Clinton chose to raise money when she began her presidential effort in January 2007. Individuals can give a maximum of $2,300 to a single candidate for a single campaign. Sen. Clinton asked big donors to give $4,600 for both the primary and the general election. That allowed her to claim big-money totals as she sought to establish her reputation as the prohibitive front-runner.

Campaign-finance rules say only money collected for the primaries could be used for bills amassed in the primaries. Money collected for the general election can only be used in a November race.

But there may be an out.

Some campaign-finance experts say Sen. Clinton could be allowed to take the $24 million and, with permission from the donors, redeploy it to her Senate campaign account. She is up for re-election in 2012. She could then ultimately pay back the vendors from that kitty, the lawyers say.

[From Clinton Primary Debt Poses Quandary – WSJ.com]

Or she could do like Dennis Kucinich, and sell Hillary Gear at 50%

With her concession, Sen. Clinton joins the ranks of other failed 2008 contenders such as New Mexico Democratic Gov. Bill Richardson and former New York Mayor Rudy Giuliani, who maintain Web sites asking supporters to help them retire debt.

Mr. Giuliani, a Republican, was $3.6 million in the hole at last reporting. He recently accepted about $60,000 from the McCain campaign to pay for a charter flight to a joint political event and unload some surplus office equipment from his failed effort, according to federal records and the McCain campaign.

Ohio Democratic Rep. Dennis Kucinich, who is still whittling away at the $450,000 debt he amassed from a presidential run in 2004, added $718,000 to his debt total in 2008, federal records show.

The campaign no longer takes Internet donations but is running a 50%-off sale on Kucinich gear, which includes, among other things, original voting machines from Palm Beach, Fla., the scene of the 2000 voter recount.

For $219 plus shipping, purchasers receive the machine, “actual chads,” a replica of the infamous “butterfly ballot” from that vote, and a signed letter from the Ohio congressman decrying the bungled election.

Facebook Apps

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Creating Facebook applications is not a panacea, not an overtly quick route to developer riches, fame, and having 37,000 friends. No, the app has to actually do something useful first.

In May 2007, Facebook Inc. invited software developers to create free software programs that members of the social-networking site could use to entertain and inform each other.

A year later, it’s time to ask: What has worked and what hasn’t?

There’s plenty to pick from. So far, more than 250,000 developers have requested the Palo Alto, Calif., company’s tools for building such applications. And more than 24,000 programs have been created, allowing Facebook users to send each other virtual hugs, share movie picks and play games, among other things.

For some of those developers, the applications have become viable businesses. Companies drawing large numbers of users to the Facebook Web pages associated with their applications are able to sell advertising or even goods or services there. For others, the applications are helping to raise their profile and user ranks of existing operations.

But many more have tried and failed, unable to gain or keep a following. Creating catchy applications is becoming more challenging as the number of applications vying for users’ attention grows and their sophistication increases. Meanwhile, some early tactics used to gain wide reach are being eliminated by Facebook because their intrusiveness drew complaints.

“Entrepreneurs need to ask themselves, ‘What is the problem I’m trying to solve? What is the need I’m trying to address?’ ” says Ben Ling, director of platform marketing at Facebook. “The Facebook platform is not a magic platform and you can plug in anything and it will be successful. It doesn’t make something that’s not useful useful.”

The top 1% of applications accounted for two-thirds of all application activity in the nine months since Facebook introduced the platform, according to a study of Facebook applications published in March by O’Reilly Media Inc., a technology-focused publishing company in Sebastopol, Calif. And only 200 applications hosted more than 10,000 users a day. About 60% of applications failed to attract even 100 daily users.

[From Some Facebook Applications Thrive, Others Flop: WSJ]

The Facebook apps I have installed are ones that take content created elsewhere, and update my page without me having to logon to do anything. I log on every week or two, but my page changes all the time (using data from LastFM, Flickr, twitter, del.icio.us, Upcoming, FriendFeed, possibly others).

Abramoff Down the Memory Hole

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Just a little taste of how President Obama’s administration is going to be covered. Hint: it won’t be as soft as the coverage of the current Resident, not by a long shot. At least there is a stronger alternative media/blogosphere than existed in the 1990s.

George Zornick writes: Yesterday, a congressional report revealed that disgraced uber-lobbyist Jack Abramoff, who has pleaded guilty to charges of conspiracy, mail fraud, wire fraud, and tax evasion, and remains at the center of one of the largest influence-peddling scandals in recent memory, met with the president of the United States at least six times and that there were over 150 verifiable contacts between Abramoff and White House officials, and probably many more — these contacts included White House officials who went to Abramoff “seeking tickets to sporting and entertainment events, as they did seeking input on personnel picks for plum jobs.” When asked about the report, White House spokesman Tony Fratto’s dismissive response was, “Give me a break.”

Luckily for Fratto, the press largely did. These revelations were not reported on any of the major networks broadcasts last night. Nor could the story be found on the front page of The New York Times, the Los Angeles Times, or The Washington Post today.

This is nothing new for coverage of the Abramoff scandal. Recall, back when the scandal broke in 2005, that the press largely refused to hold Republicans responsible for what was clearly a Republican scandal of epic proportions. (None other than the National Review’s Rich Lowry wrote that the Abramoff mess “is, in its essence, a Republican scandal, and any attempt to portray it otherwise is a misdirection.”)

But the press didn’t usually agree. For example:

Chris Matthews asked, while discussing the scandal in January 2006, “[D]on’t you have to be a real ideologue, a real partisan to believe that one party’s more crooked than the other?”
No Democrat ever took money from Abramoff directly. But that didn’t stop NPR’s Mara Liasson from saying it, nor Tim Russert, nor Katie Couric, nor Bill O’Reilly, nor the AP, nor The New York Times.

The Washington Post uncritically reported Grover Norquist’s claim that Abramoff didn’t meet with President Bush in May 2001, even though there was a photo reported to show that Abramoff was there.

David Brooks baselessly claimed Abramoff only met with Bush twice, based on some incomplete Secret Service logs, and Brit Hume did the same, even though the White House itself acknowledged there were more visits not mentioned in those logs.

The press also repeatedly brushed off the scandal — The New York Times’ Anne Kornblut, only hours after the Associated Press reported that Abramoff told Vanity Fair magazine he had close ties with President Bush and White House senior adviser Karl Rove, cited what she called “good news” for the White House, which is that “no one’s talking about Jack Abramoff anymore.” Chris Matthews predicted in early 2006, “It’s not going to be part of a larger story of Washington this year, I think.”

When this same House panel released a preliminary report on the Abramoff/White House connections in 2006, revealing far more ties than previously acknowledged, CBS and NBC didn’t cover it at all. That same report led directly to the resignation of Susan Ralston, a senior adviser to Karl Rove. But the three major networks — on all shows, morning, evening, and weekend — completely ignored the resignation, fulfilling White House deputy press secretary Dana Perino’s prediction that “nothing more will come from the [congressional] report, no further fallout from the report.”

And then there’s the current “break” being given to the White House. Which all, of course, leads to this question: What if this had happened to a Democratic president, and Abramoff’s name was Jim McDougal?

(Here’s a clue: Yesterday on Fox News, the name “Rezko” was mentioned 19 times, and the name “Abramoff” zero times, according to Lexis).

[From Media Matters – Altercation by Eric Alterman]

Can we elect a new national corporate media in 2008 as well? Please?

Death at Blommer Chocolate

Seth Anderson5 Comments

The ABCs of Chocolate
[The ABCs of Chocolate-across from Blommer Chocolate Company]

First off, I have great sympathy for Gerardo Castillo’s family, that’s got to be a hard way to die.

Chicago officials and the U.S. Occupational Safety and Health Administration hunted Monday for the cause of a fatal gas release that killed a North Side man and hospitalized two others at a chocolate factory on the Near West Side over the weekend. Gerardo Castillo, 30, was killed Sunday in the second fatal accident since 2001 at Blommer Chocolate Co., 600 W. Kinzie St.

Castillo of the 1700 block of West Olive Avenue was pronounced dead at Northwestern Memorial Hospital after a release of ammonialike fumes at the factory. A substance mixed into the chocolate somehow triggered a gaseous chemical reaction, a Chicago Fire Department spokesman said.

[snip]

OSHA last inspected the facility in 1994, said federal compliance officer Tricia Railton, who was reading from a report. Those safety investigations had to do with workers who were cleaning a piece of equipment that either had not been disconnected or was not marked as being potentially dangerous to the cleaners if turned on. It was not immediately clear if an injury prompted that inspection, Railton said. In 2005, the U.S. Environmental Protection Agency sent an inspector to check the factory after a neighbor complained about the aroma of burnt chocolate. The unidentified complainant also noted a powder-filled plume churning out of a roof duct.

Based on what the inspector saw two mornings in early September, the EPA cited Blommer for violating limits on opacity, or the amount of light blocked by the factory’s grinder dust.

[From U.S., city probing death at chocolate factory — chicagotribune.com]

But this EPA thing has been ongoing for a while. In fact, we mentioned it to Alderman Reilly when we met him in his office just prior to Reilly being sworn in, and his staff was going to look into it. Pollution and particulates are pollution and particulates, even if they smell like chocolate, and shouldn’t be allowed to permeate the lungs of local residents (like myself, ahem). I am curious as to what the details of this September investigation actually were.

Previous coverage of Blommer on my old blog

Blommer Continue reading “Death at Blommer Chocolate”

Netflixed: Logan’s Run

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“Logan’s Run” (Michael Anderson, Ronald Saland)

For some reason, watched this film earlier today for the first time.

Life in the year 2274 is a carnival of pleasures — until you hit age 30. An all-powerful state kills those who reach their third decade, and cop Logan 5 (Michael York) is in charge of capturing “runners” who try to escape their fate. It’s a nice gig until he reaches the “golden age.” Logan’s Run offers an inventive vision of a dark paradise.

[From Netflix: Logan’s Run]

Moderately amusing, 1970s cocaine and free-love film. Not sure how Logan’s Run won any Oscars, must have been an off-year for special effects.

Farrah Fawcett-Majors is an absolutely horrible actress, at least in this film. I mean, embarrassingly bad. Yikes. Nobody’s performance is really good, but she is cringeworthy.

The censors at MGM cut out most of the orgy scene, and the Hallucimill sequence, subsequently Kirk Kerkorian threw out the footage.

As I sat through some of the more eye-rolling sequences, I thought Logan’s Run would be a good candidate for a modern update. The premise was sort of interesting, but the execution was weak. Current social mores wouldn’t have a problem with the free-love aspect, nudity, nor the drug use, if handled with precision and humor. Apparently, I don’t have to write a treatment, as the remake is already in the works. [IMDb entry]


In a future where the masses are systematically put to death upon reaching a certain age, those who attempt to cheat death are dubbed “runners” and pursued by formidable operatives known as Sandmen. Logan is a Sandman who is fast approaching that fateful age, and when he decides to run the stage is set for the ultimate chase. Former commercial filmmaker Joseph Kosinski makes his feature directorial debut with a low-tech sci-fi thriller written by Tim Sexton, and inspired more by William F. Nolan and George Clayton Johnson’s 1967 novel than the 1976 feature starring Michael York and Jenny Agutter.


“Logan’s Run (Logan)” (William F. Nolan, George Clayton Johnson)

A YouTube preview (several minutes long)

Contains deleted and alternate footage. The primary audience for this long preview were theater owners.

Bombay Funk Thrillers

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*repost

The Funk is So Rubber


“The Bombay Connection, Vol. 1: Funk From Bollywood Action Thrillers” (Various Artists)


The Bombay Connection showcases the sound of the Indian action film of the late 70s and early 80s. Under the influence of films like Shaft and Dirty Harry a new kind of though Indian action film came into being in 1970s India. To match the loud fights and fast chases Indian composers developed a exciting brand of Bollywood funk. Wah-wah guitars, congas and funky moogs were effortlessly blended with tablas, dhols and Indian melody lines. This album compiles 12 (sic) of the best, incredibly original Bollywood Funk grooves, painting scenes of frantic chases through back streets in Bombay, secret plots conceived in subterarian headquarters by fake-moustached vilains and sexy seductive dances by female spies. The 6 panel digipack comes with a colorful 32 page booklet containing well researched info and a wealth of pictures.

the booklet is cool too, full of stills from the Bollywood Thrillers we’ve never even heard of, and a plethora of details about each obscure track.


In this first volume, we dig into the funky, bell-bottomed sounds of Indian action film music form the 1970s and 1980s. We have selected 13 tracks from the golden era of Indian funk, almost all from films that failed at the box office in their time and that are therefore hardly remembered, even in India. … But all of these films – along with the obligatory family drama scenes, comedy sequences and love songs – contained violent and kinky scenes that satiated the public’s thirst for action and sex and set the stage for the exciting funk tunes presented here.

Fun stuff, especially since the music was apparently recorded live in one take, without over-dubs. An amazing feat, since the tunes often shift tempo abruptly, heading into new directions, presumedly to follow the action projected on the screen.
—
Update: a great album. I’ll have to look for Volume 2.

Esquire Blues Redux

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The Esquire in the Gold Coast has been shuttered for a few years. The last film I saw there was Fahrenheit 9/11, so obviously it’s been a few years. Still, I’ve always liked having a theater there, regardless if I used it or not.

Esquire Blues

M Development has withdrawn plans to build a boutique hotel on the site of the shuttered Esquire Theater on Oak Street and instead will scale down the project to a two-to-three story structure housing about a half dozen luxury retailers.

Efforts to redevelop the historic Gold Coast movie house have been in flux since the theater shut down in September 2006. M Development, the Chicago-based owner of the property, originally proposed a mixed-use complex consisting of a 100-room hotel and retail shops to replace the theater and some adjacent property it also owns.

The hotel portion of the project, which would have risen about 10 stories, encountered resistance from residents worried about traffic congestion and about losing the intimate European character of the tony street, home to Jimmy Choo, Prada, Barneys, Harry Winston and Hermes.

[From M Development cancels plans to build Oak Street hotel — chicagotribune.com]

So now what to do? Alderman Reilly, whose district encompasses this location, eventually decided against allowing the hotel to be built.

Putting a relatively tall building in the middle of the block of European graystones “violates basic urban planning principles,” Reilly added in the letter. Most of the buildings on the street are about three stories high.

He also said the proposed hotel would burden the neighborhood’s infrastructure, in particular an alley off of Bellevue Place (a residential street one block north of Oak Street) heavily used by a condo building and Sutton Place Hotel.

The one block street in the Gold Coast has a storied history. After the Chicago Fire of 1871, prominent Chicagoans established the block as an enclave for the wealthy, hiring European-trained architects to build their mansions. Many of those buildings remain, although they now house $1,500 handbags and $150,000 diamond necklaces.

Jeffrey Shapack, president of M Development, said the firm decided to forego the hotel and concentrate on the few floors of retail in order to get the project off the ground.

“Based on numerous factors and considerations, we made the decision to move forward with a retail-commercial-only development on Oak Street with plans to begin development in 2009,” said Shapack. “This development has generated a lot of interest from luxury national and international retailers who like the prospect of having their own branded facade in a new building on Oak Street.”

M Development is also redeveloping Barneys New York down the street from the Esquire.

Plans are to turn the Barneys building at the corner of Oak and Rush Streets into a retail and restaurant complex and move the existing Barneys across the street into a new, bigger building.

Cuban and the Cubs

Seth Anderson2 Comments

Baseball and Beer
[Baseball and Beer – click for full version]

I am not a baseball fan (although I’ve been to a dozen or more games over the years), but I think the Chicago Tribune would do well to sell the Cubs to Mark Cuban.

Billionaire entrepreneur Mark Cuban, one of the Major League Baseball-approved bidders for the Chicago Cubs, expects to receive confidential financial data on the team any day now and said Friday on a Chicago radio show that it is his “job” to convince everyone he is the best choice to own the franchise.

Cuban also told WMVP-AM 1000 hosts Marc Silverman and Tom Waddle he “definitely would want Wrigley Field to be part of the deal,” despite the fact Tribune Co., which is parent of the Chicago Cubs, has considered selling it separately, either to the Illinois Sports Facilities Authority or a private buyer.

[From Cuban says he will ‘pull out all the stops’ in bid to buy Cubs]

The genius of Mark Cuban is that he is sincere in his dedication to the improvements of his teams, and the city that supports that team. From all that I’ve read, Dallas has benefitted from Cuban’s ownership of the Dallas Mavericks.

“My job is to convince everybody involved that not only is it a good financial move to sell to Mark Cuban, but it’s also, you know, a good partnership move, that I can add value beyond just my checkbook to not just the Cubs, to not just the city of Chicago, but also to Major League Baseball,” he said.

“It’s about being a good citizen. It’s about contributing to the community, and to me that’s viewed to be just as important as Major League Baseball or the Tribune Co. You know, what can I do for Wrigleyville? What can I do for the community? And what are the ways that I fit in and add value? … There are a lot of things we can do communitywise that can enhance my chances, and so I’m gonna pull out all the stops.”

Asked if he believed he could rely on the support of Chicago White Sox owner Jerry Reinsdorf, who also owns the NBA’s Chicago Bulls, Cuban said they “get along pretty well” and “we’re actually on the same side of issues probably 99.99 percent” of the time.

“If you talk to any of the folks in the NBA, they’ll tell you that I’m a great partner, that I bust my butt to try to do what’s best for the league,” Cuban said. “That’s not always what’s portrayed in the media. But those who know, know, and I think that will pay off. And if I can come up with a competitive bid for the Cubs, then I think I’ve got a shot.

“If talking to Jerry is something I need to do, then certainly I will and, you know, knowing Jerry he’d be wide open to it. He’s just that good of a guy.”

I hope it works out for Cuban and the Cubs.

Lou Reed is still a New Yorker

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“The Bells” (Lou Reed)

Marrying Laurie Anderson did not dull Lou Reed’s abrasiveness, as Andrew M. Goldstein of New York Magazine discovers:

New York Mag: Sirius’s impending merger with XM is anticipated to boost earnings. Do you own any stock in the company?
Lou Reed: What are you, a fucking asshole? I’m here telling you the truth about music and you want to know if I have stock in the fucking radio? You fucking piece of shit. What did I do to deserve that?

NYM: Moving on. You’ve got a film out, you’ve got your radio show, you’ve got a new book of photography coming up — is there a new album in the works?
LR No. Nothing I feel like talking about. Good-bye.

[From Lou Reed Wants to Talk About His New Radio Show, Does Not Want to Talk About Money — Vulture — Entertainment & Culture Blog — New York Magazine]

Video Mino

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I want one of these, even if it doesn’t perform well in low-light situations.


“Flip Video Mino Series Camcorder, 60 Minutes (White)” (Pure Digital Technologies, Inc.)

Introducing the Flip Video Mino
From the makers of the popular Flip Video Ultra comes the Mino, which puts the power of video in your pocket. The super-portable, super-simple Mino makes it easy to capture and share high-quality video anywhere and everywhere. And thanks to its flip-out USB arm and intuitive, built-in software, Mino lets you view, edit and upload your videos to popular video-sharing sites instantly. In addition to its sleek compact design–complete with touch-sensitive, backlit buttons–Mino boasts a rechargeable battery that powers up automatically while plugged into your computer or electrical outlet.

Flip Mino Highlights

All That Flip Video Goodness, Only Smaller
At 40% smaller than its already pocket-sized brother the Flip Ultra, the Flip Mino barely makes a dent in even the tightest of jeans. But small in size doesn’t mean short on function;

Flip Mino Highlights

Mino’s got all the Flip features–simple user-interface, one touch-recording, built-in USB, intuitive editing software, easy sharing functionality–that folks have come to know and love.

Sleek, Portable Design
The Flip Mino is the perfect combination of form and function. Its minimalist, retro front is the perfect complement to its high-tech modern back, with a large no-glare screen, touch-sensitive panel, and glowing backlit control buttons. All focused around Flip’s signature red record button that lets you go from pocket to recording in seconds.

With a camcorder this small and sleek, there’s no limit to where you can take it and what you’ll end up shooting. From a short film to enter in your favorite festival to footage of a hot new band, the Mino makes it easy because it’s always with you and always ready to go.

Mind-Boggling Quality
Despite its diminutive size, the Flip Mino produces video that rivals that of camcorders costing much, much more. With 2 GB of flash memory, the Mino can record up to 60 minutes of VGA (Video Graphics Array)-quality video that looks sharp when played back on your laptop or television (TV cable included). The high-quality microphone captures crisp, detailed audio, whether you’re paddling down the Amazon, or rockin’ out at your favorite club.

Revolutionary Built-in Software
Flip Video’s revolutionary software is built into the camcorder, so there’s no need for clunky 3rd party software or cables. Just plug the Mino into any PC or Mac via the flip-out USB arm and you’ll be viewing, organizing, editing and sharing your videos effortlessly.


Plus, Mino will let you upload videos directly to your AOL Video, MySpace and YouTube accounts in no time. If you just want to share your videos privately, one click of the “send via-email” button will send your clips on their way. Mino is ideal for video blogging and social networking.

Coveted Bob Dylan Endorsement of Barack Obama

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Exit, Zimmerman

Whew. Glad that’s on record – there’s bound to be a McCain supporter or two who will change their vote now that His Bobness has spoken.

Bob Dylan – who could justifiably claim to be the architect of Barack Obama’s ‘change’ catchphrase – has backed the Illinois senator to do for modern America what the generation before did in the 1960s.

In an exclusive interview with The Times, published today, Dylan gives a ringing endorsement to Mr Obama, the first ever black presidential candidate, claiming he is “redefining the nature of politics from the ground up”.

Dylan, 67, made the comments when being interviewed in Denmark, where he stopped over in a hotel during a tour of Scandinavia.

Asked about his views on American politics, he said: “Well, you know right now America is in a state of upheaval. Poverty is demoralising. You can’t expect people to have the virtue of purity when they are poor.

“But we’ve got this guy out there now who is redefining the nature of politics from the ground up…Barack Obama.

“He’s redefining what a politician is, so we’ll have to see how things play out. Am I hopeful? Yes, I’m hopeful that things might change. Some things are going to have to.”

He added: “You should always take the best from the past, leave the worst back there and go forward into the future.”

[From Bob Dylan says Barack Obama is ‘changin’ America – Times Online ]

In all seriousness, if McCain wins, I might move to Denmark. Luckily, I don’t think he stands a chance, unless something weird happens.

The Bob Dylan exhibit sounds interesting. I wish I could take a week or so off and go to England.

The haphazard process leading to the London show began nearly 20 years ago when he was approached by an editor at the American publishing company Random House. “They’d seen some of my sketches somewhere and asked if I’d like to do a whole book. Why not, you know? There was no predetermined brief. ‘Just deal with the material to hand, whatever that is. And do it however you want. You can be fussy, you can be slam-bang, it doesn’t matter.’ Then they gave me a drawing book, I took it away with me and turned it back in again, full three years later.”

Published in 1994 under the abbreviated title Drawn Blank, the resultant images had been executed both on the hoof while he was touring and in a more structured way in studios, using models (“Just anyone who’d be open to doing it”) and lights. What was going on in his life during that three-year period to inform or provide a back story to the work? “Just the usual,” Dylan shrugs, fixed in the hunkered-forward, hands-clasped position he will maintain for most of our time together. “I try to live as simply as is possible and was just drawing whatever I felt like drawing, whenever I felt like doing it. The idea was always to do it without affectation or self-reference, to provide some kind of panoramic view of the world as I was seeing it.”

Built up of work that is often contemplative, sometimes exuberant but consistently technically accomplished and engaging, that view is of train halts, diners and dockyards, barflies, dandies and uniformed drivers glimpsed in New Orleans or New York, Stockholm or South Dakota. And of women. We’re left in no doubt that Dylan likes women. “They weren’t actually there at the same time,” he notes quickly, pointing, when his page-turning reveals the painting Two Sisters, its subjects lounging, one clothed, the other naked but for her bra. “They posed separately and I put them together afterwards.”

[snip]

The method used to turn them into the paintings about to go on exhibition in London involved making digital scans of the original drawings and enlarging and then transferring them on to heavy paper ready for reworking. Dylan then experimented with treating individual images with a variety of colours. “And doing so subverted the light. Every picture spoke a different language to me as the various colours were applied.”

Corporate Welfare – The Sugar Edition

Seth Anderson1 Comment

Moto Watermelon Cucumber

The US Farm subsidy program has some real consequences to consumers, especially consumers of sweets. Free trade is in reality a myth.

The sugar program may be the most harshly criticized of a number of farm subsidies which are included in the mammoth legislation. The Bush administration had previously called for reform to the decades-old plan, along with other subsidies, at a time when consumers are facing record food and commodity prices.

“There is an overwhelming consensus among economists that it is good for producers, but bad for consumers,” said Russell Roberts, an economics professor at George Mason University in Fairfax, Va.

Rather than the Bush administration’s called-for reform of the sugar program, the newest version includes increases in non-recourse loan rates, a shift in market allotment policy to guarantee that 85 percent of U.S. sugar demand comes from domestic sugar and restrictions on the disposal of excess sugar supply by the United States Department of Agriculture.

The changes raise the price of a program, which according to its charter is supposed to cost nothing to taxpayers, to an estimated $333 million per year, according to the Congressional Budget Office.

The biggest complaint from the Sweetener Users Association in the latest farm bill is the guarantee of 85 percent of domestic sugar demand to U.S. producers, according to a source at the USDA. The guarantee places a cap on sugar imports with the exception of Mexico, an exemption it gained under NAFTA.

[Click to read more of: Sugar’s money, influence continue to plague domestic candy companies]

The high price of sugar encourages confectioners to relocate their plants outside of the US.

Since 2002, when the previous farm bill went into effect, the price of candy, on average, has increased 17 percent, according to the Consumer Price Index generated by the Bureau of Labor Statistics.

“They’re skyrocketing,” said Todd Moore, chief operating officer for Chicago Chocolate Co., of prices. While Moore’s company doesn’t produce its own chocolate – it purchases chocolate from Chicago-based Blommer Chocolate Co. to make its products – the increase in commodity costs still affects it.

“The price of chocolate has gone up probably 30 to 40 percent, and I’m sure some of that probably has to do with the price of sugar,” Moore said. As Moore spoke, he was in process of writing a letter to his customers informing them of the company’s first price increase in three years.

The current price of domestic sugar hovers around 21 cents per pound, while the world price is near 10 cents per pound.

Some manufacturers have moved to Canada or Mexico to combat what they say are the high sugar prices they are forced to pay. In the past two years, Northfield, Ill.-based Kraft Foods Inc. moved what were its Life Savers candy operations to Canada. …

Another Chicago company, Ferrera Pan Candy Co. also expanded its candy making operations in Mexico and Canada, while reducing its domestic production.

“You can’t import sugar, but you import candy bars more freely,” Roberts said.

Sugar subsidies also factor in on ethanol manufacturing – corn is cheap, sugar isn’t, so more corn gets grown at the expense of nearly everything else.

Photographers Are Not a threat

Seth Anderson4 Comments

Architectural Photography Forbidden
[Architectural Photography Forbidden – at Riverside Plaza aka The Daily News Building, built 1929]

One of these days, I’m organizing a Flickr meetup to take photos of the ‘forbidden ‘ buildings. Photographers are not terrorists.

Since 9/11, there has been an increasing war on photography. Photographers have been harrassed, questioned, detained, arrested or worse, and declared to be unwelcome. We’ve been repeatedly told to watch out for photographers, especially suspicious ones. Clearly any terrorist is going to first photograph his target, so vigilance is required.

Except that it’s nonsense. The 9/11 terrorists didn’t photograph anything. Nor did the London transport bombers, the Madrid subway bombers, or the liquid bombers arrested in 2006. Timothy McVeigh didn’t photograph the Oklahoma City Federal Building. The Unabomber didn’t photograph anything; neither did shoe-bomber Richard Reid. Photographs aren’t being found amongst the papers of Palestinian suicide bombers. The IRA wasn’t known for its photography. Even those manufactured terrorist plots that the US government likes to talk about — the Ft. Dix terrorists, the JFK airport bombers, the Miami 7, the Lackawanna 6 — no photography.

Given that real terrorists, and even wannabe terrorists, don’t seem to photograph anything, why is it such pervasive conventional wisdom that terrorists photograph their targets? Why are our fears so great that we have no choice but to be suspicious of any photographer?

[From Bruce Schneier: Are photographers really a threat? | Technology | The Guardian]

For instance, check out these Flickr groups –

flickr.com/groups/photography-is-legal/

flickr.com/groups/forbiddenchicago/

flickr.com/groups/photography_is_not_a_crime/

(see also here, here, here , here, for more news stories about this topic, if you have time to read). Irks me to no end.

Photography is not legal at Boeing either
[Photography is not legal at Boeing either – the guy on the left probably a Blackwater employee]

Pilates

Seth Anderson1 Comment

Several people have suggested I take up Pilates. I just hate ‘being instructed‘ by anyone. Growing up in the Canadian woods is hard to brush off. Anyway, this book is supposed to be an excellent overview of the discipline, complete with good illustrations.


“Pilates: Body in Motion” (Alycea Ungaro)

The most authoritative, step-by-step guide to Pilates available on the market. Popular for decades with dancers, athletes, and celebrities, the Pilates Method is the perfect equipment-free workout for a stronger, leaner, fitter body. With great emphasis on precision and awareness, not only is Pilates great for the body, but for the mind as well. Using step-by-step mat-work exercises and a wide range of programs, from beginner to advanced, Pilate’s Mind and Body is the only practical guide that shows you all of the proper steps to follow and how to avoid common mistakes in your conditioning.

About the Author

Alycea Ungaro is a certified Pilates teacher and licensed physical therapist who discovered Pilates at the age of 14, when a foot injury derailed her classical dance career. In 1995 she opened Tribeca Bodyworks, New York City’s largest studio devoted to the Pilates Method.

I plan on checking the book out, but wonder if a stunt-man tumbling class wouldn’t be more beneficial.

Snow Leopard

Seth Anderson0 comment

On Site Support

Interesting, if true. Leopard hasn’t been out that long. We still have 3 PowerPC computers on line (plus a Yikes G4 PowerPC in use, pending a transfer of the Now Contact and Up-to-Date server and main database, if the vaporware, Nighthawk ever gets released.) Performance gains on the Intel Macs would be welcomed however.

The next version of Mac OS X is code-named “Snow Leopard,” and will indeed be Intel-only, we have learned. This info is hot on the heels of TUAW’s original scoop about Mac OS X 10.6 being readied for shipment as soon as Macworld 2009 and being Intel-only.

People familiar with the situation have confirmed to us that TUAW’s details are true—Snow Leopard is currently on track to come out during next January’s Macworld, and it will not contain major OS changes. Instead, the release is heavily focused on performance and nailing down speed and stability. With Apple’s current (and future) focus on smaller, thinner, and more mobile devices, this move makes perfect sense. Things like the MacBook Air, iPhone, iPod touch, and other mysterious devices that have yet to be announced need better performance for better battery life, and that’s definitely something Apple wants to excel at in the years to come.

[From:
Mac OS X 10.6 code named Snow Leopard, may be pure Cocoa]

Something to look out for